The Doppelgänger or ‹double› cannot be taken into the palace square of the deity. It must be dissolved – or,...
The puppet that Christopher Marcus put on stage for the production of ‹Kaspar Hauser› at the Goetheanum almost 20 years...
It’s been called the most important recurring exhibition in the art world. On September 25th, Documenta Fifteen came to an end. What do we take away from the hundred days? Has the exhibition given art a new face? Has the perspective on the world become more nuanced, wiser, more respectful?...
Our relationship to nature is largely determined by the imaginary world in which we live and by the direction in...
Director Gosha Valerian Gorgoshidze sheds light on the contribution made by Rudolf Steiner’s 1924 Dramatic Course and the search for...
Marginalia to Rudolf Steiner’s Life and Work, Number 25. Before Rudolf Steiner met the famous reciter Alexander Strakosch in person, he had heard much about him from his friend Moritz Zitter. On January 14 and 16, 1892, Strakosch performed various poetic works at the Weimar Hoftheater, including Faust’s great monologue...
Actors and actresses play. They play with fire. They play with something that is very close and very intimate to...
Artistic activity familiarises us with creative processes. In Anthroposophy they are not put in a museum but provide inspiration in...
According to recently deceased Egyptologist Jan Assmann, bringing the image of the eternal into the world of change was the motif of the most powerful building impulse in human history. Out of the original 800 pyramids, 120 are still standing in the Egypt of today—a testimony to the timelessness of...
Who am I? It’s a simple question, but one that is difficult to answer. I am myself and remain myself...
A reflection on the Johannine logos The beginning of the prologue of the Gospel of John, translated from Greek, is...
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